Jahangirnagar University celebrated Bengali New Year 1432 under the theme, “Harmony of the New Year, End of Fascism, and Triumph of Humanity.” The rally began at 9:45 AM from the Old Arts Faculty premises and concluded at the base of the Amar Ekushey monument. Led by Vice-Chancellor Prof. Dr. Md. Kamrul Ahsan and organized by the Fine Arts Department, the celebration emphasized the universal appeal of the New Year. “This festival is an inseparable part of Bengali identity and should be a pledge to establish an inclusive, egalitarian society,” the VC said.

Jessore district administration honored sculptor Mahbub Jamal Shamim, pioneer of the Pohela Boishakh processions, on Monday morning. The event took place at the Jessore Collectorate premises, where Deputy Commissioner Md. Azaharul Islam presented Shamim with a crest and a check. “This honor is not mine alone—it belongs to all cultural activists, social and political figures, and the entire nation,” Shamim said. The tradition that began in Jessore is now celebrated with grandeur by Bengalis in India and around the world. A colorful procession followed the ceremony, wishing prosperity for all.

Cultural Adviser Mostofa Sarwar Farooki claimed that the Mongol Shobhajatra had previously been exploited by certain political groups for their own benefit. This year, he said, the procession returned to its roots—a celebration by and for the people, free of political interference.

Press Secretary Shafiqur Alam declared that the nation has already rid itself of many negative elements, and whatever remains will soon disappear. Speaking during the New Year festivities, he emphasized that the festival has turned into a joyful national gathering. “This celebration is for everyone—plains or hills, all ethnic groups,” he said, also noting the continued progress of the country.

With the theme “Harmony of the New Year, End of Fascism,” this year’s Mongol Shobhajatra concluded back at the Faculty of Fine Arts after traversing Shahbagh, TSC, Central Shaheed Minar, Doel Chattar, and Bangla Academy. Starting at 9 AM, thousands from all walks of life joined the jubilant procession, celebrating the Bengali spirit with vibrant art and cultural performances.

Participants in this year’s Mongol Shobhajatra expressed strong solidarity with Palestine. Many carried Palestinian flags and placards reading “Free Palestine.” A giant watermelon sculpture, symbolizing resistance and resilience, was also featured. Organizers explained that the colors of the watermelon reflect those of the Palestinian flag, making it a powerful cultural symbol of their ongoing struggle.

At the close of its Pahela Baishakh program at Ramna Batamul, Chhayanaut observed a one-minute silence to honor those killed in Gaza. At 8:30 AM, performers and attendees stood in solemn remembrance. Executive President Dr. Sarwar Ali condemned the humanitarian catastrophe in Gaza, especially the killing of children, and expressed solidarity with the Palestinian struggle for justice and dignity.

The traditional Mongol Shobhajatra (procession of goodwill) began with a burst of colors and symbolic artwork, including masks, puppets, and large bamboo sculptures of animals and nature. Participants included teachers, students, artists, and citizens of all ages—including many foreign nationals. This year’s Shobhajatra, the first in a “New Bangladesh,” featured artistic representations of rural life, nature’s harmony, and a massive portrait of Sheikh Hasina. The procession, organized by the Faculty of Fine Arts, started at 9 AM and circled through Shahbagh, TSC, the Central Shaheed Minar, Doel Chattar, and returned to its point of origin.

The Bengali New Year 1432 was welcomed with vibrant festivities at Ramna Batamul as Chhayanaut commenced its traditional celebration at sunrise. With the theme “Amar Mukti Aloy Aloy” (My Liberation Lies in Light), the cultural program featured 24 performances, including 9 chorus songs, 12 solo renditions, and 3 recitations. Dr. Sarwar Ali, Executive President of Chhayanaut, delivered the opening address, and the event concluded with the national anthem. Male performers wore maroon panjabis and white pajamas, while female artists donned off-white sarees with maroon borders—complemented by stage decorations in matching tones.

Hefazat-e-Islam labeled the Faculty of Fine Arts a hub for neo-pagan culture and accused India-aligned elites of promoting cultural fascism. Leaders claimed Muslims are the true pioneers of the Bengali calendar and must remain free from pagan influence. They warned that those compromising on monotheistic values cannot claim authentic Islamic identity, and urged Bangladesh’s Muslim population to stay alert against what they described as idol-worship-driven cultural conspiracies.

After the original “Portrait of Autocracy” was burned down just before the celebratory procession, Dhaka University Vice-Chancellor Dr. Niaz Ahmed Khan confirmed that artists have been commissioned again to reconstruct it. “Obstacles and conspiracies are inevitable in such initiatives, but we will face them with faith and perseverance,” he stated. While acknowledging the time and effort required to rebuild the effigy, he expressed confidence in the artists. Cultural Advisor to the procession also saluted the organizers and called for the perpetrators to be held accountable.

Adviser Mostofa Sarwar Farooki has said that the arson attack on the Pahela Baishakh parade effigies at the Faculty of Fine Arts was a direct challenge to the July Movement. “These acts were committed by fascist sympathizers,” he said. He assured the public that the perpetrators will be apprehended swiftly. Cutting short his Sylhet trip, Farooki added that this year’s Baishakh celebrations will be inclusive of all religions and communities, aiming to reintroduce the nation through unity. Urging spontaneous participation in the festivities, he said, “This is not a time for fear or hesitation. Law enforcement is ready to ensure a festive and secure atmosphere.”

A general diary (GD) has been filed with Shahbagh police after parts of a sculpture—depicting Sheikh Hasina and a dove of peace—were set ablaze at the Faculty of Fine Arts. A university investigation committee has also been formed. Proctor Associate Professor Saifuddin Ahmed said, “It appears to be a planned act, though nothing is confirmed. CCTV footage is currently inaccessible due to a forgotten password, but we are exploring alternative ways to retrieve it.” Professor Saima Haque Bidisha added that the decision to reconstruct the motif lies with the artists, and the administration will provide support as needed.

Cultural Adviser Mostofa Sarwar Farooki has strongly condemned the burning of the effigy symbolizing fascism, reportedly associated with Prime Minister Hasina, at the Faculty of Fine Arts early yesterday. “Whether they belong to the soft Awami League or the so-called ‘B Team,’ everyone involved must be brought to justice swiftly,” Farooki said. He also emphasized that the upcoming rally must carry even greater significance. “This year’s initiative was the most inclusive so far. We even tried to understand the university authority’s position. But after yesterday’s incident, the presence of this symbolic demon feels more inevitable than ever. July marches on,” he added.

Chhayanaut is all set to welcome Bengali New Year 1432 with the theme “Amar Mukti Aloy, Aloy” (My Liberation Lies in Light). Their traditional morning event on Pahela Baishakh will call on society to unite in a collective journey toward enlightenment and freedom. Speaking ahead of the event, General Secretary Laisa Ahmed Lisa said that although the world is witnessing a decline in humanity and values, hope must not be lost. She envisioned a future where Bengalis rise together and return to joyful, harmonious living. The event will begin at 6:15 AM with a Raag Bhairavi performance and conclude with a spoken address by Dr. Sarwar Ali.